121
Elizabeth Burns in Theatricality. A Study of Convention in the Theatre and in Social Life (New York: Harper and Row, 1972), pp. 8-21, traces the historical progression of the theatrical metaphor, which became increasingly secularized in its application by the Eighteenth Century, something Cervantes achieved much earlier in his treatment of the picaresque. (N. from the A.)
122
See Stephen Greenblatt's perceptive study of English Renaissance writers, Renaissance Self-Fashioning. From More to Shakespeare (Chicago and London: Univ. of Chicago Press, 1980). (N. from the A.)
123
Helena Percas de Ponseti wrote a subsequent note entitled «A Revision: Cervantes's Writing [Cervantes 9.2 (1989): 61-65], which prompted a response by Daniel Eisenberg, «'Esta empressa,' no 'está impressa'» [Cervantes 13.2 (1993): 125-26], to which she replied with «Nota a la nota sobre una nota: 'impressa,' no 'empressa'» [Cervantes 15.1 (1995): 164-66]. -FJ. (N. from the E.)
124
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This quatrain appears in Historia de las guerras civiles de Granada. See El ingenioso hidalgo «Don Quijote de la Mancha». Nueva edición crítica de Francisco Rodríguez Marín (Madrid: 1948) vol. 8, p. 267, note 7. (N. from the A.)
125
Don Quixote de la Mancha by Miguel de Cervantes Saavedra. A New Translation From the Spanish with a critical text based on the first editions of 1605 and 1615... by Samuel Putnam (New York: Viking Press, 1949), p. 988. (N. from the A.)
126
The Adventures of Don Quixote. Translated by J. M. Cohen (Middlesex, England: The Chaucer Press, First edition, 1950; 1973), p. 939. (N. from the A.)
127
Don Quixote. The Ormsby translation, revised; edited by Joseph R. Jones and Kenneth Douglas (New York-London: Norton Critical Editions, 1981), p. 830. (N. from the A.)
128
Diccionario de la lengua castellana called de Autoridades. A. de Pagés-J. Pérez Hervás (Barcelona, n. d.), p. 944. (N. from the A.)
129
Composed by Elías Zerolo and other Spanish and Latin American Writers (Paris: Garnier Hermanos, n.d.) p. 939. (N. from the A.)
130
(Madrid: Real Academia Española, 1962) p. 547. (N. from the A.)