41
For a discussion of the translatio studii in relationship to sixteenth-century Spanish poetics and empire, see Ignacio Navarrete, Orphans of Petrarch: Poetry and Theory in the Spanish Renaissance (Berkeley: University of California Press, 1994), 15-31. (N. from the A.)
42
Herrero García, ed. cit., 44. (N. from the A.)
43
Ibid., 822. (N. from the A.)
44
Croce, 180-183. (N. from the A.)
45
Ibid., 189-193 [sic]; Rodríguez Marín, ed. cit., 392. (N. from the A.)
46
Elias L. Rivers, «Genres and Voices in the Viaje del Parnaso», On Cervantes: Essays for L. A. Murillo, ed. James A. Parr (Newark, Delaware: Juan de la Cuesta-Hispanic Monographs, 1991), 209-211 [sic]. (N. from the A.)
47
As Louis Marin theorizes, «The city map is a 'utopic'
insofar as it reveals a plurality of places whose incongruity lets us examine
the critical spaces of ideology»
(Utopics: The
Semiologocal Play of Textual Spaces [Atlantic Highlands, NJ: Humanities
Press International, 1990], 201). (N. from the A.)
48
Sebastián Covarrubias Orozco, Tesoro de la lengua castellana o española, ed. Felipe C. R. Maldonado (Madrid: Castalia, 1994), 350. (N. from the A.)
49
Pedro de Répide, Las calles de Madrid, ed. Federico Romero (Madrid: Afrodisio Aguado, 1971). 509-510. (N. from the A.)
50
For various literary references to the pendientes of the court, see Herrero García, ed. cit., 378-379. For a description of the palace's mentidero, see Répide, 455. (N. from the A.)